Slamdance Digital, Interactive & Gaming
Slamdance DIG is a new program from the Slamdance Film Festival dedicated to emerging independent artists working in new, hybrid and immersive forms of digital media art. If your work pushes, breaks, or defies the boundaries of storytelling through digital media in any way, we would like to see it. We are primarily interested in a diversity of form and content. If you think your work fits, it likely does.
Artists are encouraged to submit either works in progress or completed projects for consideration. From these submissions, judges will program a showcase that will open in Los Angeles, California in 2015. Selected final works will also have the opportunity to exhibit at the 2016 Slamdance Film Festival in Park City, Utah.
The 2016 edition of New Frontier at the Festival includes three feature films and a live performance, as well as 30 VR experiences and eleven installations in the more than 10,000-square-foot exhibition, taking place at multiple venues: Park City’s historic Claim Jumper, The Gateway, a large-scale installation on Swede Alley by Chris Milk and a performance by Gingger Shankar at Festival Base Camp Presented by Canada Goose. In addition to a physical exhibition at the Festival, audiences everywhere will be able to experience more than 20 virtual reality pieces on mobile VR headsets. This year’s Festival will also include a program of New Frontier short films to be announced at a later date.
Since its inception, the New Frontier program has showcased and advanced the work of artists and technologists working together to push the boundaries of storytelling, which have included Doug Aitken, Jennifer Steinkamp, Aaron Koblin, Pipilotti Rist, James Franco, Nonny de la Peña and Joseph Gordon-Levitt. The 10 New Frontier exhibitions since 2007 chronicle new media growth and advancements, including the progression of story-based, virtual reality-enabled experiences, which are viewed by many as the next big thing in film and entertainment. The VR headset first showcased in New Frontier at the 2012 Festival with Nonny de la Peña’s Hunger in Los Angeles morphed months later into the Oculus Rift prototype.
Visibility, Data, and the Monitoring Gaze
Panopticon meaning to observe (-opticon) all (pan-), is a metaphor encapsulating the numerous forms of surveillance used to watch and normalize social behavior. This exhibition investigates systems of observation utilized to record our daily lives through the deployment of both physical and invisible panoptic structures.
Shin Seung Back and Kim Yong Hun, Erik Brunvand, Mahwish Chishty, Paolo Cirio, Heather Dewey-Hagborg, Willie Doherty, Constant Dullaart, Pablo Garcia, Adam Harvey, Leopold Kessler, Jonas Lund, Kate McQuillen, Trevor Paglen, Evan Roth, Addie Wagenknecht