October 6, 2017–January 7, 2018
Smithsonian American Art Museum, Washington, DC
Lumia: Thomas Wilfred and the Art of Light is the first exhibition on this groundbreaking artist and his spellbinding light compositions in more than forty years. As early as 1919, well before the advent of consumer television and video technology, Wilfred began experimenting with light as his primary artistic medium, developing the means to control and project colorful, luminous forms that have been compared to the aurora borealis—and which he referred to collectively as lumia. The exhibition features nearly half of the extant light works by Wilfred representing each phase of his career, from early at-home instruments made for individual viewers to his most ambitious public installation, Lumia Suite, Opus 158, commissioned by the Museum of Modern Art, New York, in 1963 and recently restored in a joint conservation project by the Gallery and MoMA. Also included in the exhibition are sketches and diagrams from the artist’s archive, now in Yale University Library’s Manuscripts and Archives collection. Recognized as an innovator by artists of his time such as Jackson Pollock, László Moholy-Nagy, and Katherine Dreier, Wilfred has since disappeared from the story of American modernism. Lumia restores this avant-garde artist to his rightful place at the forefront of kinetic and light art.
DLECTRICITY Is Back!
DLECTRICITY is Detroit’s nighttime festival of light-based art + technology. In 2012 and 2014, DLECTRICITY featured over 35 world-renowned and emerging artists whose cutting-edge works of art illuminated Midtown Detroit. Each time, tens of thousands of visitors engaged with these projects.
On September 22 & 23, 2017, Midtown will be transformed by site-specific installations of light-based art including video, sculpture, performance, interactive design and more.
44th International Conference on Computer Graphics and Interactive Techniques
SIGGRAPH is the world’s largest, most influential annual conference and exhibition in computer graphics and interactive techniques: Five days of research results, demos, educational sessions, art, screenings, and hands-on interactivity featuring the community’s latest technical achievements, and three days of commercial exhibits displaying the industry’s current hardware, software, and services.
Northern Lights.mn announces two years of artists addressing global climate change: Northern Spark 2016 (June 11) through Northern Spark 2017 (June 10). Under the united theme Climate Chaos | Climate Rising, these two incredible nights of art focused on Earth’s changing environment will be connected by interactive projects, events and workshops in sites across the Twin Cities, each exploring how artists grapple with and envision new approaches to the climate challenges we face globally.
Over the next two years Northern Spark takes on this challenge through the lenses of migration, nourishment, interconnectedness, perception and civic action. Our programming begins in winter of 2016 by delving into issues such as the future of food, new relationships to non-human species, and radical river ecologies, and culminates in the summer of 2017 in the biggest Northern Spark yet, with innovative, interactive art projects filling the landscape along the Green Line—from Minneapolis through the neighborhoods of St. Paul to its terminus in Lowertown.
On JUNE 10, 2017, Northern Spark 2017 will be the biggest, boldest, most exciting festival yet, with art projects responding to climate change spanning the Green Line transit corridor from downtown Minneapolis to Lowertown St Paul. From sunset to sunrise, artist-led and community-driven projects will flourish in neighborhoods along the Green Line, some marking the culmination of 18 months of community-hosted artist residencies and public-driven project collaborations. Northern Spark 2017 will bring internationally-known artists to Minnesota and create opportunities for local artists and organizations to participate with their own projects. Thousands of Minnesotans will participate in and be inspired by a dazzling variety of innovative projects that open up fresh possibilities and new ways of thinking about climate change, immersed in an urban mass-transit landscape spanning two cities.
teamLab’s Graffiti Nature–Still Mountains and Movable Lakes (2017–) presents us with a virtual ecosystem of exaggerated wildlife and plant forms. The work invites viewers to become participants as they physically alter, express themselves within, and ultimately become a part of the work. Visitors can scan and add their own drawn additions to images of reptiles, amphibians, insects, and other creatures that grow, consume one another, and disappear, creating a live ecosystem. As participants pause to contemplate their surroundings, their stillness encourages the growth of flowers and plants.
The collective’s works often celebrate life, the essential element of water, and the regenerating capacity of pristine nature. Through its need for active participation, Graffiti Nature dissolves the boundaries between artwork and viewer, ultimately heightening our awareness of the connections between people and their environment.
Dolby Gallery celebrates Prime4, the final installment of the four-part Prime series by Hays + Ryan Holladay, with a special edition of Emergence, a live performance combining music and light, in the Dolby Cinema at 1275.
Come join the artists for an evening of cocktails, conversation, and memory making.
Choose your boldest and brightest cyber chic attire to wear to Scottsdale Museum of Contemporary Art’s annual fundraiser, SMoCA Mix 2017: TECH Sublime. This year’s event provides an evening of interactive technology and media with an artistic perspective. Collaborating artists: Squidsoup, an international artists collective based in the United Kingdom; Los Angeles-based new media performance artist Tiffany Trenda; and Synthesis Center, David Tinapple and Charis Elliot from the School of Arts, Media and Engineering, a collaborative initiative between the ASU Herberger Institute for Design and the Arts and the ASU Ira A. Fulton Schools of Engineering. Also on display: Nam June Paik’s 1992 work Electro-Symbio Phonics, a landmark video and neon sculpture featuring three robot figures containing 61 TV monitors and four neon panels depicting symbols of human communication, technology and biology.
All guests will experience SmoCA transformed by artist-driven technology and new media.
A conference, performances, workshops, and an exhibition surveying culture through the lens of art and technology.
It’s coming to the US!
Considered one the most influential artists working today, Anish Kapoor (b. 1954, Mumbai, India) works in a wide variety of scales and formats, and in a range of media including pigment, stone, stainless steel, resin, wax, earth, and most recently, silicone. Over the last four decades, he has created a remarkably inventive and resonant body of work layered with artistic, cultural, and personal associations. Anish Kapoor: Descension brings one of Kapoor’s most viscerally arresting installations yet to New York for the first time. Creating a dynamic negative space that descends into the ground, Descension is a massive spiraling funnel that harnesses the evanescent material of water. Disturbing the familiar boundaries of our world whilst pushing the limits of materials, the work invites visitors to experience the sheer wonder of intense perception, in a quintessential New York park.
Rhythms + Visions / Expanded + Live 3 will light up the outdoor spaces of the USC School of Cinematic Arts Complex in an evening of music, interactive animation, projection mapping, animated inflatables, and virtual reality. Innovative artists Refik Anadol, Miwa Matreyek, and Patterson + Reckinger will perform an eclectic program of contemporary visual music and audio-visual art.
Groundbreaking artist Refik Anadol, who has performed visuals with the L.A. Philharmonic at Disney Hall, will create imagery on a super-panoramic 70-foot screen to live performances by Grammy Award–winning pianist Gloria Cheng and guzheng player Zi-Zhu Zhao. Patterson + Reckinger’s kinetic op-art abstractions will be accompanied by toy piano trio, Thomas Feng, Alexa Constantine, Dante Luna. Music by composers John Adams, Esa Pekka Salonen (piano), Tristan Perich (3 toy pianos and 3-channel, one-bit electronics) and Pantawit Kiangsiri (guzheng) will be performed live.
On a second stage, Miwa Matreyek performs her fantastical shadow theatre work, The World Made Itself, inside a multi-projection stage. Miwa takes us on a journey through her surrealistic and magical worlds as she interacts within the projection. She has performed her work at MoMA, the Tate Modern, REDCAT, and Sundance. The VR Visual Music Lounge will offer exciting virtual-reality musical experiences and interactive installations from international artists as well as USC faculty and students.
Check out this teaser for the Bjork VR experience, which will be featured in the VR Visual Music Lounge.