Virtual Futures presents Near-Future Fictions on the theme of ‘Lasting Labours.’
Due to society’s advancement, changing economic systems, and shifts in what the population demands, the world of work will change seismically in the near future. Some jobs will become obsolete, others will change radically, and new roles will emerge. The changes, though, will not be limited to work alone. New industries may be born, new methods of exchange introduced, or entirely new economic systems developed.
Show us what goods we may be trading with, what currency we may be using, how industries may be created or altered, or what roles we may be employed in (if at all) by the time the future becomes the present. You may also wish to consider how, and in what, we will be educated and trained so as to succeed.
Virtual Futures presents Near-Future Fictions on the theme of ‘Boundless Bodies.’
Bodies are often a product of the environment in which they are situated. Likewise, minds are partially shaped by both what they receive from the world around them, and the receptors that they use to process reality.
There is no guarantee that the Earth will be able to maintain its current ecosystems, or that the living beings of this world will remain on this planet. We are asking authors to consider how brains or bodies may adapt to different physical circumstances, and whether these changes will occur naturally or synthetically.
They may spin stories of manipulated creatures, novel forms of consciousness, distorted landscapes, or altered beings. They may also consider how lifestyles could be altered, minds may function, or bodies may be changed or even created.
Diffusion 2019’s theme is Sound+Vision .The festival explores the relationship between sound, photography and lens-based media, and how in contemporary visual culture the transmission, presentation and reading of images is influenced by sound, and likewise how music is experienced visually as well as aurally.
We are interested in work that crosses traditional boundaries between artforms and disciplines, engages audiences in new ways and expands the creative possibilities of photography and lens-based media.
Now in its fourth biennial edition, Diffusion 2019 features a month long programme of exhibitions, interventions, screenings, performances, events and celebrations in both physical and virtual spaces and places. The excitement of directly participating in the festival, and the international reach and visibility of the event, is further enhanced through printed and online publications, websites, mobile content and discussion on social media platforms.
Virtual Futures presents Near-Future Fictions on the theme of ‘Autonomous Agents.’
The consequences of automation are a key concern for a society that is exporting much of its decision making to algorithms, automation and artificial intelligence.
These decision-making entities operate on certain assumptions, biases and preconceptions about the world – many of which are inherited from those who programmed them. Despite this companies and institutions are introducing algorithmic thinking into the heart of their infrastructure at a rapid rate. They are allowing algorithmic cognition, whose processes of reasoning remain enigmatic, to manipulate and draw findings from the data it is fed.
From conflict to cosmetics, music to pharmaceuticals, construction to scientific research – and everything in between – we ask authors to intrigue us with stories that explore the potential implications of automating our lives. They may also consider who will be accountable for the results and how we should protect ourselves from accidental and deliberate use or abuse.
Virtual Futures presents Near-Future Fictions on the theme of ‘Another Loving.’
Reproduction is the only constant in human history – from our beginnings as single cell organisms to the sexual practices we see today.
Many of our social behaviours have been built and altered by our attitudes towards reproduction and the methods of passing our genes on to the next generation. Technologies frequently manipulate this most basic of human instincts to produce new ways to sexually interact with one another.
We ask authors to consider how technological developments may influence the reproductive process, behaviour related to it, or the products of it. Authors may approach topics of courtship, contraceptives, conception, childbirth, or anything in between.
Explore today’s home through the prism of yesterday’s imagination. Are we living in the way that pioneering architects and designers throughout the 20th century predicted, or has our idea of home proved resistant to real change?
The ‘home of the future’ has long intrigued designers and popular culture alike. Immerse yourself in a series of dreamlike passages and rooms exploring yesterday’s visions of the future, as avant-garde speculations are displayed alongside contemporary objects and new commissions.
Discover more than 200 objects and experiences to trace the key social and technological aspirations that have driven change in the home. Historical notions of the mechanised home and the compact home are displayed alongside contemporary phenomena such as connected devices and the sharing economy.
Rare works on display will include original furniture from the Smithsons’ House of the Future (1956), footage from the General Motors Kitchen of Tomorrow (1956), and an original model of Total Furnishing Unit by Joe Colombo (1972).
October 26-28, 2018
The 108 Steps, a winding stairway between the Macclesfield station and the town centre, are a beloved local landmark for Maxonians.
Over three nights in October, passersby can see the Steps brought to life by artist Matthew Rosier who has captured ‘a week in the life’ on film, to create a wistful and atmospheric projection-mapped installation.
Earlier this year, Matthew Rosier visited Macclesfield to capture the daily life of the town’s iconic steps. Filmed footage of local runners, commuters, dog walkers – and everyone in between – has been composed into a loop of memories, which will be projected onto the face of the steps (and people using them). The work creates interplay between past and present, bringing to life the Steps’ historic connection to people and place.
Believed to date from 1696 when the local newspaper nicknamed the cobbled climb ‘The Steps’, no one knows exactly when they were created.
This is installed in the atrium of the Wellcome Trust headquarters in London and public tours are available on the last Friday of each month at 2pm.
urora is an experience like no other. Step inside the cave-like vaults of Toxteth Reservoir for a 40-minute ‘walk on water’. Through dark chambers and between towering iron arches, water surrounds, floods and falls around you, both beautiful and terrifying. The sights, sounds and wonder of an ice cave, a tropical rainforest and monsoons unfold before you. Because when we understand that water is more precious than oil or gold, we view everything differently.
The Korean Cultural Centre, London (KCCUK) presents Dawns, Mine, Crystal, the first UK solo exhibition from South Korean artist Yunchul Kim. The exhibition marks Kim’s nomination as ‘2018 Artist of the Year’, KCCUK’s major annual award programme. Working within the realms of contemporary art, science and visual effects, the exhibition comprises installations, drawings and sketchbooks and premieres the new work Cascade (2018), a joint commission by KCCUK, FACT (Foundation for Art and Creative Technology, Liverpool) and Arts at CERN.
Cascade consists of 18 meter-long interconnecting tubes, clear fluid continually circulates within them, through micro tunnels approximately two millimeters in diameter. As air is pushed through, microtunnels disappear and reappear, bringing to light the fundamental changes evoked when the relationship between matter and force is reassembled.