It is commonly noted that one in four people in the UK will experience a mental health issue at some time in their lives. What is less often discussed is why in a wealthy and technologically advanced part of the world, so many of us continue to struggle with poor mental health.
For many the presence of digital technologies is exacerbating this problem, by altering our sense of self and our social relationships. Meanwhile, others suggest that technological innovation is a crucial tool for finding new ways to improve the lives of those who experience social isolation, illness and emotional distress.
Group Therapy presents a diverse collection of artworks, research and design innovation exploring connections between mental health and the values, political conditions, and technologies that that structure our lives. It frames mental health not as problem that affects a small cohort of people living on the fringes of society, but as a social issue that plays a part in all of our lives. To emphasise this, the exhibition and many of the works within it are designed to prompt visitors to reflect on their own mental state, by creating experiences that bring awareness to the body and mind.
Celebrating it’s 20th anniversary in 2015!
The FutureEverything festival brings people together to discover, share and experience new ideas for the future. Pioneering the practice of city-wide ‘festival as laboratory’ it combines a large scale cultural event – encompassing art, music and discussion – with new technology, novel research methods and playful social experiments. It has been named by The Guardian as one of the top ten ideas festivals in the world.
The e-Luminate Cambridge Festival shows the city in a new Light. The 2015 Festival programme (11-15 February) includes a range of Light installations, family activities, talks and concerts.
Nestled into the corner of the library façade are more than 23,000 blue Light Emitting Diodes (LEDs). To the casual observer, a shimmering cascade of light appears to flow down the wall but it becomes quickly evident that what one sees are actually words flowing through each other at different rates. By tracking one line of text, the observer will discover that they are looking at research being carried out within the library, bringing what is going on inside the library outside.
This is installed in the atrium of the Wellcome Trust headquarters in London and public tours are available on the last Friday of each month at 2pm.
The swan is life-size and is controlled by three separate clockwork mechanisms. The Silver Swan rests on a stream made of twisted glass rods interspersed with silver fish. When the mechanism is wound up, the glass rods rotate, the music begins, and the Swan twists its head to the left and right and appears to preen its back. It then appears to sight a fish in the water below and bends down to catch it, which it then swallows as the music stops and it resumes its upright position.
You can see the Swan in action every afternoon at 2.00. This performance lasts approximately 40 seconds.
The Museum is in the picturesque market town of Barnard Castle, County Durham situated in the heart of the Pennines in North East England.