or his first project as 2017 Suzanne Fiol Curatorial Fellow, DeForrest Brown Jr. organizes the US premiere of Quantum Natives’ expansive sonic universe. In their debut performance of Grace Nexus, the collective forms a new episode in the rhizomatic Quantum Natives universe, extending their online surface to a live setting. The artists will unite to use video game engine technology, paired with software-based sound design, to sculpt birds-eye and panoramic experiences of merging fictional landscapes, physical, and online spaces, which in turn will be projected in ISSUE’s theater and online.
Grace Nexus takes place as a discrete portal to the Quantum Natives world with the audience positioned as explorers of the “post-scarcity” condition of limitless online content and the idea of grace, the loving gift of divine favor, as a prescriptive measure for reorienting in our increasingly enmeshed online/offline experience. Grace Nexus emerges as a seance or incubator for the Quantum Natives community and an act of tourism into their world.
Conceived by artists/musicians James B Stringer (Brood Ma, Werkflow) and Awe IX (Ornine, Yearning Kru), later integrating Rachael Melanson’s (Rosen) pOrtals’ project and DeForrest Brown Jr’s “Context Collapse,” Quantum Natives is an ongoing expression of online personas and a coherent cartographic experience that suggests an organically growing document as narrative. Established in 2013 as an online world-building platform, the collective focuses on digital music and visual art, all of which takes place in a collaborative, ever changing artwork represented as an online map.
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