Morbis Artis explores the radical conjunction between the biomolecular and the artistic, and the thin doorway between life and death housed within discourses of disease.
What constitutes life, what counts as a sentient being, and who gets to determine what lives are saved, punished, exploited and destroyed?
Composed of eleven separate but connected installation works, Morbis Artis explores the question of organic life through particular artistic lenses, each taking on the moniker of disease to represent and embody the issues that challenge bare life today.
Drawing upon Frances Stracey, the artists working on this exhibition consider Bio-art to represent ‘a crossover of art and the biological sciences, with living matter, such as genes, cells or animals, as its new media’.
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