Virtual reality technology is changing the game in storytelling. At the Newseum, visitors can now step back into time for seven minutes and experience communist East Berlin at the height of the Cold War.
Using a VR headset, headphones and two handheld controllers, visitors can walk through the deserted streets of East Berlin and witness the communist propaganda posters and austere atmosphere that characterized the walled-off city. Although visitors are safely tethered within a 10-foot-by-10-foot space inside the museum, their experience is punctuated by the anxiety of dodging the guard tower searchlights that sweep “no-man’s land” looking for wall jumpers. Once back on the West Berlin side of the wall, visitors can use their controllers to help break down the decades-old barrier to freedom.
After concluding the VR experience, visitors can make their way down to the Newseum’s Hubbard Concourse Level, where eight sections of the Berlin Wall and an actual East Berlin guard tower have been on exhibit since the Newseum opened. The Berlin Wall exhibit explores the history of the wall and reminds visitors of the struggles worldwide to preserve or obtain the right to free expression and religious liberty.
October 13 – November 29, 2017
Note: The show is completely sold out. Still a possibility for standby tickets.
Since 1760, they’ve operated in secret, preparing the way. Once considered legend, they’ve been steadily growing in number and influence. Their existence, in direct response to a pressing need expressed by the natural world, is one of the most significant and far-reaching stories in America: a story of un-natural selection. A story of extinction. The actions of humanity have set into motion events that will outlive our species. It must now be determined what will endure. Do you know how you got here? Do you know where you’re going? Our past is a memory, our future is certain. DODO: the time has come.
Very hard to get tickets to this one as it sells out immediately once a block opens. Good luck!
Alejandro G. Iñárritu’s conceptual virtual reality installation CARNE y ARENA (Virtually present, Physically invisible) explores the human condition of immigrants and refugees. Based on true accounts, the superficial lines between subject and bystander are blurred and bound together, allowing individuals to walk in a vast space and thoroughly live a fragment of the refugees’ personal journeys. An immersive installation that reunites frequent collaborators Iñárritu and Emmanuel Lubezki alongside producer Mary Parent and ILMxLAB, CARNE y ARENA is centered around a 6 ½-minute virtual reality sequence for one person that employs state-of-the-art immersive technology to create a multi-narrative light space with human characters.
Colorspace is an interactive sculpture that translates text messages into breathtaking animations of colored light. Boston Properties commissioned Sosolimited to create the artwork for the mezzanine of their iconic Boston skyscraper at 200 Clarendon Street.